Comments on: Ableton Live: Enter the Dragger!

By: Frank

Frank — Thu, 10 Jun 2010 00:46:09 +0000

Very well explained, thanks. :-)

By: Gryphon

Gryphon — Fri, 16 Jan 2009 17:04:40 +0000

Very informative. Myself, I’m in the third “family”, mentioned in one of the earlier comments here. I have several sets, each with lots of knob associations and during the show I load them up sequentially. To cope with downtime, I actually use a second computer (which makes sense, because I’m part of a 2-man act). Our method works very well but I’ll definitely be incorporating some of the stuff you described here.

By: Mop Cortex

Mop Cortex — Tue, 06 Jan 2009 11:18:44 +0000

Basic, clear, clever. bravo.

By: tom

tom — Fri, 08 Aug 2008 23:23:17 +0000

any hints on mapping the tri-band EQ?

you have to have your knob in this shit 270 degree position and you can never return it to 0 because there's no notch. furthermore, you can't boost more than 6db in this position..

cheers

FZero: Well, there's a ot of personal taste decisions on this. If you don't like the 'shit 270 degree position' or the fact that you can't boost more than 6db, you can always change the assignments to suit your taste and needs. Furthermore, I'm using a slightly different template right now - in fact a number of different templates depending on the situation. I've been meaning to write about my DJ template for some time, but I've been quite busy lately.

By: Gerador Zero » Ableton Live: Draggers vs. Set-freaks

Gerador Zero » Ableton Live: Draggers vs. Set-freaks — Sat, 02 Aug 2008 17:55:28 +0000

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